We are a unique, new opera company and are delighted to welcome you to our 2023 season. Everyone is welcome here!
We are honored to be able to contribute to the rich assortment of music, theater, dance, and art in this wonderful community, and deeply grateful to many who have advised, encouraged, and supported us along the way.
We invite you to explore this website and get to know us. Of course, we would love for you to join us as a subscriber or single ticket buyer. But mostly, we want to connect with you, our community!
Everyone belongs here—no matter who you are, how you identify, or how you dress. At our performances we are one community, coming together to experience this incredible art form.
Welcome to OrpheusPDX—“where opera gets intimate.”
Founder/General and Artistic Director
Providing a Meaningful, Intimate Experience–Up Close and Personal
In the legend of Orpheus and Eurydice, Orpheus’ singing and playing is so beautiful that even the savage beasts of Hades are moved to tears. Portland’s new opera company, OrpheusPDX, aspires to do the same—to touch the very soul of the community through the power of great music and singing. It will enhance that powerful experience by producing opera in the intimate, 472-seat Lincoln Performance Hall, where audiences will enjoy an enriching, moving, and personal experience.
Being Small in Scale, But Not Artistic Quality
OrpheusPDX General and Artistic Director, Christopher Mattaliano, has worked as a guest artist at major opera companies throughout the United States. During his 35+ years’ experience as an opera producer, stage director, and teacher, he has developed a deep working relationship with a wide variety of outstanding international artists who will join the company each season. He has consistently demonstrated a commitment to “quality above all else,” regardless of scale of operation, a commitment which has won him national acclaim for creativity and artistic quality.
Our Programming Model: Honoring Tradition and Exploring New Directions
OrpheusPDX is committed to honoring tradition and presenting beautiful music, beautifully sung, with one opera from well-loved Bel Canto composers such as Mozart, Handel, Rossini, etc.
It’s also committed to producing one contemporary opera from the body of great modern works that move and excite today’s audiences, thus providing them with the best of both operatic worlds each season.
Operating On a Realistic Scale
Christopher Mattaliano’s vision for OrpheusPDX derives from his realistic understanding of and love for the Portland community. Based on his sixteen-year experience as an arts leader and fundraiser in Portland, he understands that raising funds to sustain large-scale performing arts organizations have become extremely challenging during the past decade. Oregon ranks 39th in state funding for the arts, and Portland ranks consistently low in benchmark studies of arts support among mid-sized US cities. Consequently, his vision—professional opera produced on an intimate scale with an ensemble company of artists in summer residence—provides the basis for a sustainable company that is well aligned with available local funding.
Committing To Diversity, Equity, Inclusion, and Access
OrpheusPDX will demonstrate its commitment to DEIA by:
- Engaging BIPOC and female artists in no less than 50% of the artistic leadership positions—as stage directors, conductors, and designers—each season.
- Maintaining a board of directors that is no less than 50% women and/or BIPOC members.
- Providing 300 free student tickets to dress rehearsals of each production, as well as 25 seats sold for $15 to students at each performance.
- Ensuring that the artists performing in our productions accurately reflect the world in which we live.
Founder/General and Artistic Director
When Christopher Mattaliano was in the seventh grade, there was a Spanish teacher whom he found particularly frightening. So he switched to band class where he played the French horn, which developed into a deep love for creating music with others, which then led to discovering opera, which led eventually to a very rewarding career as an opera director.
He was fortunate to have had encouraging and inspirational teachers and mentors along the way—in particular, music professor Jack Sacher, theater director Frank Corsaro, and celebrated artist Maurice Sendak.
Those experiences fueled a career directing hundreds of opera productions at most major U.S. and Canadian companies, including the Metropolitan Opera, San Francisco Opera, and Canadian Opera Company, among many others.
Along the way he also developed a profound love for teaching gifted young opera singers. At schools such as Juilliard, Yale, Princeton, Manhattan School of Music, Mannes School of Music, and the Metropolitan Opera Lindemann Young Artist Development Program he became known for his work in helping those young singers become more expressive artists and better actors.
Chris first visited Portland in 1985 as an aspiring opera director, hoping to land a freelance directing gig with Portland Opera. That began a long love affair with the city that has only grown deeper each year.
After directing numerous productions for that company, he was named its General Director in 2003. The highlights of his 16 years there include the expansion of programming and artistic standards, the creation of the young artists residency program, the regular engagement of women conductors, directors, and designers, and wide-ranging collaborations with most of Portland’s music, theater, dance, and visual art organizations, as well as groups like Trans Affirming Spaces and Phame. Under his leadership, the company greatly increased its educational and community outreach programs, including the company’s first bilingual opera production, and provided free access to local communities and thousands of students throughout the state. This led to the company’s being awarded the 2017 Governor’s Arts Award.
In 2022, he founded OrpheusPDX, a new company that provides him the means to give something back to the community that has given so much to him and brings together two of his deepest loves: producing great opera and enhancing the lives of young singers.
Put simply, OrpheusPDX is the next chapter as he continues to follow his passion for opera and the great city of Portland.
And he continues to remain grateful to that 7th grade Spanish teacher, who started it all.
Bill was very lucky and got started in theater in junior high school. He then went on to a great high school program, which lead to college at Wayne State University in Detroit. A national tour of 56 cities in 26 weeks rounded out his theater training. Working in New York for many years added to the variety and length of the production list.
Since relocating to Portland in 1989, Bill has worked on hundreds of productions including: dramas, musicals, operas, ballets, children’s theater, film, television, commercials, industrials, parade floats, zoo scenery and, “other events as assigned.”
He is very pleased to be in on the ground floor of a new company with so much potential, and he hopes this brief look back does not turn him into a pillar of salt.
Patron Services & Development Manager
Jessie (he/they) joined OrpheusPDX in January 2022, bringing with him a background in arts administration, classical performance, and music scholarship. He works full time as Marketing & Communications Coordinator at Chamber Music Northwest, and has held patron-facing roles at Portland Opera and Portland Columbia Symphony.
Jessie graduated from Portland State University with a Bachelor of Arts degree in Musicology/Ethnomusicology and went on to earn a Master of Arts & Culture degree in Musicology from the University of Amsterdam. His scholarship has focused on music and women’s, gender, and sexuality studies, with an emphasis on the performance of gender in various theatrical genres. Before discovering a passion for music history and feminist musicology, Jessie studied classical flute performance at the University of Vermont (where he is originally from), and PSU.
When he isn’t swimming in a river, singing with Queer Opera, or knitting, he can be found spending time with his husband and their two small dogs.
Amanda Dempsey is excited to be making her debut in the Opera world by joining the team at OrpheusPDX for their 2023 Season. With 15 dedicated years in the theatre, Amanda has had the opportunity to work in a myriad of productions taking on multiple theatrical roles. In regards to Production Management, Amanda most recently worked on “Two Witches, No Waiting”, “Any Body For Tea”, and “In The Tank” at the Art Center Theatre of Plano, TX. In addition, Amanda is an accomplished actress, voiceover actress, special effects make-up artist, props designer, sculptural artist, and skilled puppeteer. Amanda would like to thank OrpheusPDX for allowing her the opportunity to work on such a unique and exciting season.
Marketing & Communications Consultant
A long-time leader in the arts marketing arena in Portland, Oregon, Jim Fullan has held chief marketing, communications, and sales positions with the Oregon Symphony and the Portland Opera, where he worked collectively for 23 seasons.
A hallmark of his work for both organizations was an enviable 60/40 ratio of earned to contributed income. His passion for the strategic use of data analytics, combined with his ability to nurture existing audiences while attracting new ones, assured both institutions of steadily growing subscription and single ticket audiences and provided their development departments with a healthy supply of new donors. In his final season with the Oregon Symphony, he helped the 120-year-old institution set an all-time high in ticket revenue. Over the course of his seven-year tenure there, he and his team were responsible for ticket sales in excess of $50M.
Always eager to share, he helped numerous organizations earn additional revenue from his pioneering work in demand-based pricing in the arts arena, and he was a perennial presenter at Opera America’s annual conferences.
Since leaving the Oregon Symphony in 2017, he has established an arts marketing and organizational development consultancy practice and counts among his clients the Portland Opera, the Oregon Ballet Theatre, the Vancouver Symphony Orchestra, and Cappella Romana, among many others.
Stacie has worked in the field of accounting for over 29 years with over 8 years as head of bookkeeping for a local financial institution. She spent several years working directly for a local CPA firm and over 20 years providing independently contracted bookkeeping and payroll services to small businesses in the following industries: Performing Arts, Production Companies, Naturopath Physicians, Law Firms, Professional Consulting firms, Financial Consulting firms, Architecture Firms, Residential & Commercial Real Estate companies, Travel Agencies, IT companies, Automotive repair & restoration, Commercial building leasing, Homeowners Associations, Hotels, Restaurants, Childcare & Education organizations, Landscaping, Custom Woodcraft & Carpentry, Residential Developers, Marketing firms, Professional Forums, Retail shops, and Construction companies. She is currently providing services to a vast array of clients ranging from Vancouver to Wilsonville and everywhere in between.
Patron Services Representative
Genevieve Larson has been working for different music and theater organizations in the Portland area for the past 10 years. She graduated from Portland State University with a theater degree focusing in stage managing and performance in 2015. She stage manages for the Portland Columbia Symphony Orchestra, box office manages for Twilight Theater Company, and just completed her first music festival house managing Chamber Music NW. You can also see her on and off stage as a company member with The Canon Shakespeare Company. This is Genevieve’s first season with OprheusPDX and is excited for the opportunity to work with a new and exciting opera company.
Social Media Contributor
Hannah Penn, a mezzo-soprano, enjoys a diverse career as a performer of opera, oratorio, and recital literature. Frequently praised for her musicality and the timbre of her voice, Ms. Penn has recently been called “…a major talent”, and “…an intelligent and wonderfully musical singer” by Portland’s Willamette Week, and was praised for having “…intriguing colors at both ends of her range” by The Oregonian. She has sung more than twenty operatic roles with Glimmerglass Opera, Florida Grand Opera, Portland Opera, Tacoma Opera, Opera Bend, Eugene Opera, Opera Coeur D’Alene, and many other companies.
As a past member of Portland Opera’s studio artist program, Ms. Penn sang the roles of Diana (LA CALISTO), Thisbe (LA CENERENTOLA), Mercedes (CARMEN), Flora (LA TRAVIATA), and Nancy (ALBERT HERRING). She also sang her first CARMEN with Portland Opera, which garnered critical acclaim and resulted in a chance to reprise the role following season with the Teatro National Sucre in Quito, Ecuador. Ms. Penn has since returned to Portland Opera many times as a guest artist, most notably as “Hannah After” in AS ONE, Julie in SHOW BOAT, and L’enfant in Ravel’s L’ENFANT ET LES SORTILEGES.
A strong proponent of new works, Ms. Penn has performed in the American premiere tours of John Adam’s EL NINO and Sven-David Sandstrom’s HIGH MASS, and has been involved in the American premiers of several operas, including Anthony Davis’ WAKONDA’S DREAM, Richard Rodney Bennett’s THE MINES OF SUPLHUR, and David Carlson’s ANNA KARENINA.
Ms. Penn also enjoys a full concert schedule, having been featured with orchestras around the country, including many appearances with the Oregon Symphony, the Portland Baroque Orchestra, the Sunriver Music Festival, the Florida Philharmonic, and the Seattle Baroque.
A dedicated and passionate teacher, Ms. Penn maintains a large private studio, in addition to positions on faculty at Portland State University, Linfield University, and Aquilon Music Festival. She has been Portland Opera’s regular pre-show lecturer for the past six years. Ms. Penn received her doctorate of musical arts from New England Conservatory last fall, after rediscovering the manuscript parts and reconstructing the full score for a lost American opera, SHANEWIS, by Charles Wakefield Cadman. The semi-biographical piece tells the life story of Cadman’s friend and colleague, Native American operatic mezzo-soprano Tsianina Redfeather.
This season’s engagements include two concerts with the Portland Baroque Orchestra, concerts, and recording projects with Portland’s medieval music group In Mulieribus, concerts with the Salem Festival Chorale and Salem Winds, and a series of Bach cantatas in Leipzig, Berlin, and Prague, with the Leipzig Bach Festival. Next season, Ms. Penn will perform Peter Maxwell Davies’ one-woman show, MISS DONNITHORNE’S MAGGOT with Third Angle.
Art Director & Graphic Designer
Tara is passionate about the arts. With a love for music, photography, and design, Tara has worked both behind the camera and in the design studio creating visual communications and branding for performing arts organizations in the Pacific Northwest. Her clients include; The Vancouver Symphony Orchestra, Portland Opera, Broadway in Portland, Capella Romana, and All Classical. An Oregon native, Tara loves hiking, camping, and walking along the coast with her family. She enjoys a cup of coffee while considering the endless possibilities of designing the landscape around her home.
With over 25 years of experience in public relations, event planning and operations, a degree in theater allowed Julia the great fortune of a successful career working in the arts. Starting on the wardrobe crew at the Oregon Shakespeare Festival, she eventually ended up on the communications and publicity side of numerous organizations including Portland Opera, Broadway Across America, Oregon Ballet Theatre, Cappella Romana, and Cirque du Soleil, where she was the publicist for Cirque’s first appearance in the Northwest, and for LOVE (the Beatles show) in Las Vegas. She has enjoyed a brisk freelance practice with clients that include the Oregon Symphony, Portland Center Stage, and Spectra/Montreal for the Glenn Miller Orchestra. She does own up to a slight deviation off the path to the corporate world of Nike and Nordstrom where she reveled in the company discounts.
Grants Writer & Consultant
Taylor has been writing grants for Oregon arts organizations since 2002, based on years of experience as a non-profit board member and administrator and decades as a communications specialist. He has worked for many Oregon-based organizations, including The Portland Ballet, Pacific Youth Choir, BodyVox, Young Audiences, All Classical Radio, and Columbia Center for the Arts, and has helped young companies like Classical Up Close start their first grant-writing efforts. He brings to his work an insider’s knowledge of the non-profit world, having served as a board member of Chamber Music Northwest, Profile Theatre, and CoHo Productions; grants panelist for RACC, the Oregon Arts Commission, and the Oregon Cultural Trust. and non-profit advisor and/or marketing consultant. He has written extensively on the arts, arts education, and cultural tourism for the Oregon Arts Commission and is himself a practicing artist (playwright) and 3-time finalist for the Oregon Book Awards.
Patron Services Representative
Sawyer VanVactor-Lee (they/them) is a storyteller of many mediums. With a background in acting and teaching, their most recent avenue of storytelling has been through intimacy direction. Struck by the deep need for this work, Sawyer started studying intimacy choreography in 2018 with Intimacy Directors International and has since traveled the country both taking and teaching workshops in this new and important field. When not either acting on the stage or choreographing behind the scenes, Sawyer also does freelance administrative work for various arts organizations. Last summer they worked in the box office at Chamber Music Northwest and are thrilled to be bringing their talents this summer to the wonderful team at Orpheus PDX.
These individuals—all artists, arts leaders, and/or community advocates—are the foundation on which the company will grow. We are very grateful for their investment in our company and belief in our mission.
Board of Directors
Joe d’Angerio is an actor and producer with over 50 credits. Some of his acting credits include Clint Eastwood’s MILLION DOLLAR BABY, Tony Scott’s TRUE ROMANCE, OF MICE AND MEN, and the T.V. series 24. His producing credits include ABOUT CHERRY, LIFE OF CRIME, and MIDNIGHT SEX RUN. In April 2015, MERRY XMAS, produced by Mr. d’Angerio and Matthew Modine and starring Dick Van Dyke, had its world premiere at the Tribeca Film Festival. Mr. d’Angerio has served on the Board of Directors for the past 15 years of the Screen Actors Guild and presently on the Board of SAG-AFTRA. He resides in Los Angeles.
Board of Directors
Richard Harrell has served in the performing arts for more than 30 years as a teacher, stage director, and performer. His experience includes artistic direction, production, and the training of young artists, culminating in employment as senior staff by various internationally renowned organizations.
As the Founding Director of Heroes’ Voices, a non-profit service organization for veterans, Richard currently produces therapeutic music and poetry workshops for veterans with PTSD and other challenges. He is the Associate Director of the Orfeo Foundation, an international organization based in Amsterdam which supports the careers of young opera singers.
Richard Harrell has served as the Director of the Juilliard Opera Center, the Director of the San Francisco Opera Center, Artistic Advisor and Head of Faculty for the Opera Training Program of the New National Theatre in Tokyo, Director of the Opera Program for the San Francisco Conservatory, Artistic Consultant and Principal Stage Director for the Bangkok Opera, and senior faculty for the Opera Studio of the Netherlands. He was a professor of music at the University of Richmond, City College of San Francisco, and a teacher at San Francisco State University’s Osher Lifelong Learning Institute.
As a stage director, Richard has produced more than 60 operas for companies in Europe, Asia, and North America, and has been a stage director, voice teacher,
and guest master class instructor at universities and training programs including Yale, Indiana University, Polish National Opera Studio, Chautauqua Institution, Hawaii Opera Theatre, Opera Festival di Roma, Loyola University, and the University of Florida.
Mr. Harrell performed as a baritone soloist with such companies as La Scala, Vienna State Opera, Washington National Opera, Baltimore Opera, Fort Worth Opera, Skylight Opera Theatre, Lincoln Center Theatre Company, New Jersey Symphony, Richmond Symphony, and National Symphony. He performed the role of Bernardo on the Deutsche Grammophon recording of WEST SIDE STORY and is featured on the recording of Leonard Bernstein’s last opera, A QUIET PLACE.
A frequent judge for vocal competitions, he annually adjudicates for the Metropolitan Opera National Council Auditions. He was a founding member of the Singer’s Services Committee for Opera America and his essays on artist training and the business of opera have been published in Opera America publications.
Board of Directors
A daughter of the theater, Glenn grew up in the back of the house at the Papermill Playhouse in New Jersey watching every show from a folding chair next to her dad’s sound booth. The hours spent in the theater from a very young age instilled a deep love of live performance.
She is a fiction writer, an artist, a gardener, a customer service director, and a solo mom of two magical girls with their mom’s gift of drama.
Board of Directors
Named one of “The Five Who Make Runways Run” NY Times Sunday Cover Story ”Fashion of The Times” 1994.
Labeled as an eccentric by the “Times,” Yvonne is an interdisciplinary artist, trained in theater. She landed in New York on the Upper West Side in 1977, immersing in quirky, sometimes prescient projects, and painted in her downtime.
In 1991 Yvonne integrated art into action, climbing, blindfolding, and wrapping black armbands around various statues in NYC, as an anti-war statement during The Gulf War. ”We are blind to peace and should all mourn.” Her efforts resulted in photographs entitled, “Peace in Mourning.”
She owned a high-profile business in fashion for twenty years with a cortège of dressers, supervisors. tailors, and pressers. Known to see trouble before it happened, Yvonne managed backstage for major fashion shows. A sampling of clients included – Versace, Armani, Channel, Alexander McQueen, Christian Lacroix, Dior, Ralph Lauren, Calvin Klein, Diane Von Furstenberg.
Throughout the 80s and 90s, she traveled internationally on photoshoots as a tailor and stylist for star studded magazine cover stories, video, and film. A sampling of talent includes Woody Allen, Al Pacino, Madonna, Tom Hanks, Sylvester Stallone, Jim Carrey. Photographers included, Richard Avedon, Steven Meisel, Bruce Weber.
In 2001, Yvonne sold her business, became certified as a Creative Arts Therapist, and was subsequently hired by Memorial Sloan Kettering in New York City, as an arts facilitator. She spearheaded workshops for adult patients, repurposing donated materials, taught fine art and crafts, and led relaxation-based music circles.
Presently, Yvonne is volunteering her time to Dorot NYC, a unique community service organization. She is assisting the writing and editing of memoirs by seniors who want to leave a legacy for their loved ones.
Board of Directors
Denise Simone is a founding member of Company of Fools in Hailey, ID, and from 1996-2016 she served as its Co-Producing Artistic Director helping to guide the company in becoming one of the leading arts organizations in the state. She was awarded the Idaho Governor’s Award for Excellence in the Arts in 2014 and an ICA Performing Arts Fellowship in 2018. Simone served as a commissioner for the Idaho Commission on the Arts (2003–2010), as a panelist for the National Endowment for the Arts, and served on the boards of the Migration Theory, Wood River Arts Alliance, and the Hailey Chamber of Commerce. In addition to her work as an arts leader, Denise also works as an actor, voice actor, teacher, and arts consultant.
Board of Directors
Christopher Stowell, the son of Kent Stowell and Francia Russell, was born in New York City, and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theatres throughout the world including the Paris Opéra Ballet, New York’s Lincoln Center, Kennedy Center in Washington D.C., and Moscow’s Bolshoi Theatre. As a Principal Dancer, Christopher performed leading roles in the full-length classics ROMEO AND JULIET, THE SLEEPING BEAUTY, LA FILLE MAL GARDEE, and OTHELLO, and had roles created for him by Artistic Director Helgi Tomasson, as well as contemporary choreographers including Mark Morris, William Forsythe, and James Kudelka. An established interpreter of the George Balanchine repertoire, Christopher appeared in almost every Balanchine ballet performed by San Francisco Ballet.
In 2003, Christopher was named the Artistic Director of Oregon Ballet Theatre (OBT), a position he held until 2012. During his tenure, Christopher made significant additions to OBT’s repertoire, bringing to Portland works from some of the world’s most celebrated choreographers, including Fredrick Ashton, George Balanchine, Jerome Robbins, William Forsythe, Paul Taylor, Helgi Tomasson, James Kudelka, Christopher Wheeldon, and Lar Lubovitch.
Christopher has taught and coached in San Francisco, New York, Japan, China, and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, Diablo Ballet, and Pacific Northwest Ballet, as well as the New York City Ballet Choreographic Institute. He has also staged the works of George Balanchine, Mark Morris, and Christopher Wheeldon. In addition to serving as Ballet Master and Assistant to the Artistic Director at San Francisco Ballet for the 2014/15 season, he recently worked in Amsterdam, Antwerp, Beijing, and Copenhagen, and created his first work for Los Angeles Ballet, and his first film for the San Francisco Dance Film Festival. In 2017, Christopher joined The National Ballet of Canada as Associate Artistic Director. In this role, he oversees the artistic staff, teaches, coaches, and stages works for the company, and works closely with Karen Kain in realizing her vision for the National Ballet. Christopher is a member of the creative team for Karen Kain’s new production of SWAN LAKE which will premiere in June 2022.
Investing in Young Artists
OrpheusPDX will launch an intensive mentorship program in 2023 that will provide hands-on experience for emerging artists in all areas of opera production. Stay tuned for a press announcement prior to the start of our 2023 season.