About Us

When Christopher Mattaliano was in the seventh grade, there was a Spanish teacher whom he found particularly frightening. So he switched to band class where he played the French horn, which developed into a deep love for creating music with others, which then led to discovering opera, which led eventually to a very rewarding career as an opera director.

He was fortunate to have had encouraging and inspirational teachers and mentors along the way—in particular, music professor Jack Sacher, theater director Frank Corsaro, and celebrated artist Maurice Sendak.

Those experiences fueled a career directing hundreds of opera productions at most major U.S. and Canadian companies, including the Metropolitan Opera, San Francisco Opera, and Canadian Opera Company, among many others.

Along the way he also developed a profound love for teaching gifted young opera singers. At schools such as Juilliard, Yale, Princeton, Manhattan School of Music, Mannes School of Music, and the Metropolitan Opera Lindemann Young Artist Development Program he became known for his work in helping those young singers become more expressive artists and better actors.

Chris first visited Portland in 1985 as an aspiring opera director, hoping to land a freelance directing gig with Portland Opera. That began a long love affair with the city that has only grown deeper each year.

After directing numerous productions for that company, he was named its General Director in 2003. The highlights of his 16 years there include the expansion of programming and artistic standards, the creation of the young artists residency program, the regular engagement of women conductors, directors, and designers, and wide-ranging collaborations with most of Portland’s music, theater, dance, and visual art organizations, as well as groups like Trans Affirming Spaces and Phame. Under his leadership, the company greatly increased its educational and community outreach programs, including the company’s first bilingual opera production, and provided free access to local communities and thousands of students throughout the state. This led to the company’s being awarded the 2017 Governor’s Arts Award.

In 2022, he founded OrpheusPDX, a new company that provides him the means to give something back to the community that has given so much to him and brings together two of his deepest loves: producing great opera and enhancing the lives of young singers.

Put simply, OrpheusPDX is the next chapter as he continues to follow his passion for opera and the great city of Portland.

And he continues to remain grateful to that 7th grade Spanish teacher, who started it all.

Bill was very lucky and got started in theater in junior high school. He then went on to a great high school program, which led to college at Wayne State University in Detroit. A national tour of 56 cities in 26 weeks rounded out his theater training. Working in New York for many years added to the variety and length of the production list.

Since relocating to Portland in 1989, Bill has worked on hundreds of productions including: dramas, musicals, operas, ballets, children’s theater, film, television, commercials, industrials, parade floats, zoo scenery and, “other events as assigned.”

He is very pleased to be in on the ground floor of a new company with so much potential, and he hopes this brief look back does not turn him into a pillar of salt.

Jessie (he/they) joined OrpheusPDX in January 2022, bringing with him a background in arts administration, classical performance, and music scholarship. He works full time as Marketing & Communications Coordinator at Chamber Music Northwest, and has held patron-facing roles at Portland Opera and Portland Columbia Symphony.

Jessie graduated from Portland State University with a Bachelor of Arts degree in Musicology/Ethnomusicology and went on to earn a Master of Arts & Culture degree in Musicology from the University of Amsterdam. His scholarship has focused on music and women’s, gender, and sexuality studies, with an emphasis on the performance of gender in various theatrical genres. Before discovering a passion for music history and feminist musicology, Jessie studied classical flute performance at the University of Vermont (where he is originally from), and PSU.

When he isn’t swimming in a river, singing with Queer Opera, or knitting, he can be found spending time with his husband and their two small dogs.

Amanda Dempsey is excited to be making her debut in the Opera world by joining the team at OrpheusPDX for their 2023 Season. With 15 dedicated years in the theatre, Amanda has had the opportunity to work in a myriad of productions taking on multiple theatrical roles. In regards to Production Management, Amanda most recently worked on “Two Witches, No Waiting”, “Any Body For Tea”, and “In The Tank” at the Art Center Theatre of Plano, TX. In addition, Amanda is an accomplished actress, voiceover actress, special effects make-up artist, props designer, sculptural artist, and skilled puppeteer. Amanda would like to thank OrpheusPDX for allowing her the opportunity to work on such a unique and exciting season.

Claudie (she/her) spent the past 20 years on the mean streets of live performance, working for companies such as Portland Opera, Broadway Across America, Oregon Ballet Theatre, Artist Repertory Theatre, Portland Center Stage, and Cirque du Soleil. As a marketing and public relations professional, her specialties are strategic messaging, advanced targeting, and equitable audience building. She centers artists and craftspeople at every level of her work and loves building them the largest audiences possible.

Claudie is particularly proud of supporting Portland Opera’s productions of Philip Glass’ Orphée and Galileo Galilei, which were commercially recorded, and her part in securing funding for the commissions of new plays by Lauren Yee and Mary Kathryn Nagle. She is also a costume designer whose awards include a Drammy for Artist Repertory Theatre’s Eurydice. When Claudie’s not at the theater, you’ll find her catching a punk rock show or playing with her tiny pup, Coco. She believes that everybody should pay way more to see incredible live performances, but she also believes that we all deserve incomes that allow us to adequately show our love for the arts. Every time the curtain rises on a new show, Claudie takes a moment to be grateful for everyone in attendance and the many people, most of whom the audience never sees, who work so hard to make these productions possible.

Brian’s career in the arts has spanned almost 20 years and as many locations. Not one to stay with one field for very long, Brian has worked as a Stage Performer, Commercial and Music Video Production Manager, Stage Manager, Chamber Music Production Manager, Lighting Designer, Technical Director, and Stage Director. More recently, Brian has begun to teach at the University of Portland after receiving his MFA in Directing there. When not working, Brian spends most of his time with his wife, Eve, and their 8 year old triplets – Hector, Rosie and Ella.

Stacie has worked in the field of accounting for over 29 years with over 8 years as head of bookkeeping for a local financial institution. She spent several years working directly for a local CPA firm and over 20 years providing independently contracted bookkeeping and payroll services to small businesses in the following industries: Performing Arts, Production Companies, Naturopath Physicians, Law Firms, Professional Consulting firms, Financial Consulting firms, Architecture Firms, Residential & Commercial Real Estate companies, Travel Agencies, IT companies, Automotive repair & restoration, Commercial building leasing, Homeowners Associations, Hotels, Restaurants, Childcare & Education organizations, Landscaping, Custom Woodcraft & Carpentry, Residential Developers, Marketing firms, Professional Forums, Retail shops, and Construction companies. She is currently providing services to a vast array of clients ranging from Vancouver to Wilsonville and everywhere in between.

Genevieve Larson has been working for different music and theater organizations in the Portland area for the past 10 years. She graduated from Portland State University with a theater degree focusing in stage managing and performance in 2015. She stage manages for the Portland Columbia Symphony Orchestra, box office manages for Twilight Theater Company, and just completed her first music festival house managing Chamber Music NW. You can also see her on and off stage as a company member with The Canon Shakespeare Company. This is Genevieve’s first season with OprheusPDX and is excited for the opportunity to work with a new and exciting opera company.

Tara is passionate about the arts. With a love for music, photography, and design, Tara has worked both behind the camera and in the design studio creating visual communications and branding for performing arts organizations in the Pacific Northwest. Her clients include; The Vancouver Symphony Orchestra, Portland Opera, Broadway in Portland, Capella Romana, and All Classical. An Oregon native, Tara loves hiking, camping, and walking along the coast with her family. She enjoys a cup of coffee while considering the endless possibilities of designing the landscape around her home.

With over 25 years of experience in public relations, event planning and operations, a degree in theater allowed Julia the great fortune of a successful career working in the arts. Starting on the wardrobe crew at the Oregon Shakespeare Festival, she eventually ended up on the communications and publicity side of numerous organizations including Portland Opera, Broadway Across America, Oregon Ballet Theatre, Cappella Romana, and Cirque du Soleil, where she was the publicist for Cirque’s first appearance in the Northwest, and for LOVE (the Beatles show) in Las Vegas. She has enjoyed a brisk freelance practice with clients that include the Oregon Symphony, Portland Center Stage, and Spectra/Montreal for the Glenn Miller Orchestra. She does own up to a slight deviation off the path to the corporate world of Nike and Nordstrom where she reveled in the company discounts.

Taylor has been writing grants for Oregon arts organizations since 2002, based on years of experience as a non-profit board member and administrator and decades as a communications specialist. He has worked for many Oregon-based organizations, including The Portland Ballet, Pacific Youth Choir, BodyVox, Young Audiences, All Classical Radio, and Columbia Center for the Arts, and has helped young companies like Classical Up Close start their first grant-writing efforts. He brings to his work an insider’s knowledge of the non-profit world, having served as a board member of Chamber Music Northwest, Profile Theatre, and CoHo Productions; grants panelist for RACC, the Oregon Arts Commission, and the Oregon Cultural Trust. and non-profit advisor and/or marketing consultant. He has written extensively on the arts, arts education, and cultural tourism for the Oregon Arts Commission and is himself a practicing artist (playwright) and 3-time finalist for the Oregon Book Awards.

Joe d’Angerio is an actor and producer with over 50 credits. Some of his acting credits include Clint Eastwood’s MILLION DOLLAR BABY, Tony Scott’s TRUE ROMANCE, OF MICE AND MEN, and the T.V. series 24. His producing credits include ABOUT CHERRY, LIFE OF CRIME, and MIDNIGHT SEX RUN. In April 2015, MERRY XMAS, produced by Mr. d’Angerio and Matthew Modine and starring Dick Van Dyke, had its world premiere at the Tribeca Film Festival. Mr. d’Angerio has served on the Board of Directors for the past 15 years of the Screen Actors Guild and presently on the Board of SAG-AFTRA. He resides in Los Angeles.

Richard Harrell has served in the performing arts for more than 30 years as a teacher, stage director, and performer. His experience includes artistic direction, production, and the training of young artists, culminating in employment as senior staff by various internationally renowned organizations.

As the Founding Director of Heroes’ Voices, a non-profit service organization for veterans, Richard currently produces therapeutic music and poetry workshops for veterans with PTSD and other challenges. He is the Associate Director of the Orfeo Foundation, an international organization based in Amsterdam which supports the careers of young opera singers.

Richard Harrell has served as the Director of the Juilliard Opera Center, the Director of the San Francisco Opera Center, Artistic Advisor and Head of Faculty for the Opera Training Program of the New National Theatre in Tokyo, Director of the Opera Program for the San Francisco Conservatory, Artistic Consultant and Principal Stage Director for the Bangkok Opera, and senior faculty for the Opera Studio of the Netherlands. He was a professor of music at the University of Richmond, City College of San Francisco, and a teacher at San Francisco State University’s Osher Lifelong Learning Institute.

As a stage director, Richard has produced more than 60 operas for companies in Europe, Asia, and North America, and has been a stage director, voice teacher,
and guest master class instructor at universities and training programs including Yale, Indiana University, Polish National Opera Studio, Chautauqua Institution, Hawaii Opera Theatre, Opera Festival di Roma, Loyola University, and the University of Florida.

Mr. Harrell performed as a baritone soloist with such companies as La Scala, Vienna State Opera, Washington National Opera, Baltimore Opera, Fort Worth Opera, Skylight Opera Theatre, Lincoln Center Theatre Company, New Jersey Symphony, Richmond Symphony, and National Symphony. He performed the role of Bernardo on the Deutsche Grammophon recording of WEST SIDE STORY and is featured on the recording of Leonard Bernstein’s last opera, A QUIET PLACE.

A frequent judge for vocal competitions, he annually adjudicates for the Metropolitan Opera National Council Auditions. He was a founding member of the Singer’s Services Committee for Opera America and his essays on artist training and the business of opera have been published in Opera America publications.

A daughter of the theater, Glenn grew up in the back of the house at the Papermill Playhouse in New Jersey watching every show from a folding chair next to her dad’s sound booth. The hours spent in the theater from a very young age instilled a deep love of live performance.

She is a fiction writer, an artist, a gardener, a customer service director, and a solo mom of two magical girls with their mom’s gift of drama.

Named one of “The Five Who Make Runways Run” NY Times Sunday Cover Story ”Fashion of The Times” 1994.

Labeled as an eccentric by the “Times,” Yvonne is an interdisciplinary artist, trained in theater. She landed in New York on the Upper West Side in 1977, immersing in quirky, sometimes prescient projects, and painted in her downtime.

In 1991 Yvonne integrated art into action, climbing, blindfolding, and wrapping black armbands around various statues in NYC, as an anti-war statement during The Gulf War. ”We are blind to peace and should all mourn.” Her efforts resulted in photographs entitled, “Peace in Mourning.”

She owned a high-profile business in fashion for twenty years with a cortège of dressers, supervisors. tailors, and pressers. Known to see trouble before it happened, Yvonne managed backstage for major fashion shows. A sampling of clients included – Versace, Armani, Chanel, Alexander McQueen, Christian Lacroix, Dior, Ralph Lauren, Calvin Klein, Diane Von Furstenberg.

Throughout the 80s and 90s, she traveled internationally on photoshoots as a tailor and stylist for star studded magazine cover stories, video, and film. A sampling of talent includes Woody Allen, Al Pacino, Madonna, Tom Hanks, Sylvester Stallone, Jim Carrey. Photographers included, Richard Avedon, Steven Meisel, Bruce Weber.

In 2001, Yvonne sold her business, became certified as a Creative Arts Therapist, and was subsequently hired by Memorial Sloan Kettering in New York City, as an arts facilitator. She spearheaded workshops for adult patients, repurposing donated materials, taught fine art and crafts, and led relaxation-based music circles.

Presently, Yvonne is volunteering her time to Dorot NYC, a unique community service organization. She is assisting the writing and editing of memoirs by seniors who want to leave a legacy for their loved ones.

Denise Simone is a founding member of Company of Fools in Hailey, ID, and from 1996-2016 she served as its Co-Producing Artistic Director helping to guide the company in becoming one of the leading arts organizations in the state. She was awarded the Idaho Governor’s Award for Excellence in the Arts in 2014 and an ICA Performing Arts Fellowship in 2018. Simone served as a commissioner for the Idaho Commission on the Arts (2003–2010), as a panelist for the National Endowment for the Arts, and served on the boards of the Migration Theory, Wood River Arts Alliance, and the Hailey Chamber of Commerce. In addition to her work as an arts leader, Denise also works as an actor, voice actor, teacher, and arts consultant.

Christopher Stowell, the son of Kent Stowell and Francia Russell, was born in New York City, and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theatres throughout the world including the Paris Opéra Ballet, New York’s Lincoln Center, Kennedy Center in Washington D.C., and Moscow’s Bolshoi Theatre. As a Principal Dancer, Christopher performed leading roles in the full-length classics ROMEO AND JULIET, THE SLEEPING BEAUTY, LA FILLE MAL GARDEE, and OTHELLO, and had roles created for him by Artistic Director Helgi Tomasson, as well as contemporary choreographers including Mark Morris, William Forsythe, and James Kudelka. An established interpreter of the George Balanchine repertoire, Christopher appeared in almost every Balanchine ballet performed by San Francisco Ballet.

In 2003, Christopher was named the Artistic Director of Oregon Ballet Theatre (OBT), a position he held until 2012. During his tenure, Christopher made significant additions to OBT’s repertoire, bringing to Portland works from some of the world’s most celebrated choreographers, including Fredrick Ashton, George Balanchine, Jerome Robbins, William Forsythe, Paul Taylor, Helgi Tomasson, James Kudelka, Christopher Wheeldon, and Lar Lubovitch.

Christopher has taught and coached in San Francisco, New York, Japan, China, and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, Diablo Ballet, and Pacific Northwest Ballet, as well as the New York City Ballet Choreographic Institute. He has also staged the works of George Balanchine, Mark Morris, and Christopher Wheeldon. In addition to serving as Ballet Master and Assistant to the Artistic Director at San Francisco Ballet for the 2014/15 season, he recently worked in Amsterdam, Antwerp, Beijing, and Copenhagen, and created his first work for Los Angeles Ballet, and his first film for the San Francisco Dance Film Festival. In 2017, Christopher joined The National Ballet of Canada as Associate Artistic Director. In this role, he oversees the artistic staff, teaches, coaches, and stages works for the company, and works closely with Karen Kain in realizing her vision for the National Ballet. Christopher is a member of the creative team for Karen Kain’s new production of SWAN LAKE which will premiere in June 2022.