When the musician Orfeo loses his beloved Euridice on their wedding day, he is determined to reunite with her at all costs, even if it means a trip to hell and back. Armed with only his lyre and beautiful voice, he begins the journey of his life - a life that is meaningless without Euridice. Celebrating the power of music and a fathomless love that refuses to abide by "Till Death Do Us Part", this story of love and loss transcends all time, and is made even more beautiful and moving by Monteverdi’s elegant score.
Recognized as an “energetic” performer by The New York Times, Italian conductor Christian Capocaccia has distinguished himself as an artist of keen insight and musicianship. His ease on the podium and comfortable coaching style with musicians and singers have made him a favorite with orchestras, opera companies, and vocalists.
In June 2019, Mr. Capocaccia made his German debut conducting The WÜRTTEMBERGISCHE PHILHARMONIE REUTLINGEN in both Stuttgart and Reutlingen. He returned to Italy in July and August for a production of L’ELISIR D’AMORE with performances throughout Tuscany. In 2020, he embarked on his second season as Artistic and Music Director of Syracuse Opera, leading performances of COSÌ FAN TUTTE, CANDIDE, and TOSCA. In addition, the season will also be his third as Symphoria’s Associate Conductor & Youth Orchestra Music Director. Other debuts include his conducting a new production of IL BARBIERE DI SIVIGLIA with the Curtis Institute of Music.
Mr. Capocaccia’s first year as Artistic and Music Director of Syracuse Opera saw him conduct the three Syracuse Opera productions (MACBETH, DON GIOVANNI, and THE THREEPENNY OPERA). In the same season, he also made his debut with the Rochester Philharmonic Orchestra. In spring 2018, he returned to Pittsburgh Opera to conduct L’ELISIR D’AMORE following a very well-received debut with the company in 2017 conducting LA TRAVIATA.
Over the last several years, Mr. Capocaccia has divided his time between the pit and the podium, fostering relationships with companies in Syracuse, Pittsburgh, and abroad. Prior to being named Artistic Director of Syracuse Opera, he conducted performances of Carmen, Rigoletto, and La Bohème, and led many performances with Symphoria. He has a long-standing relationship with the city of Pittsburgh, having served as guest conductor and cover on the staff of the Pittsburgh Symphony Orchestra, and guest conductor of the Pittsburgh Opera. Outside of the United States, he conducted in Italy with AsLiCo, now OperaLombardia (I Capuleti e i Montecchi and Les contes d’Hoffmann), and debuted with Welsh National Opera conducting performances of Donizetti’s Roberto Devereux.
Mr. Capocaccia has previously collaborated with Manhattan School of Music conducting Haydn’s Orlando Paladino. As a guest conductor he has appeared in the United States and in Europe leading the Orchestra di Roma e del Lazio, Moscow Ballet Orchestra, Orchestra Sinfonica Città di Grosseto, Orchestra Città Aperta, International Chamber Ensemble, Orchestra da Camera delle Marche and Orchestra Sinfonica di Pesaro among others. He held positions as Assistant Conductor of the Dallas Opera, Resident Conductor of the Fischer Center at Bard College, Assistant Conductor of the Indiana University Opera and IU New Music Ensemble, Adjunct Professor and Visiting Conductor with Montclair State University’s Opera Department, and Assistant Professor of conducting at the State University of New York College at Fredonia. He is a former Aspen Music Festival Conducting Fellow, where he studied with David Zinman and Murry Sidlin.
Born in Rome, he attended the Santa Cecilia Music Conservatory studying under Paolo Ciociola and completed his studies with world-renowned violinist Nina Beilina in New York. He studied composition under Boris Porena and Luciano Pelosi and conducting with Piero Bellugi and Donato Renzetti. A graduate of Indiana University Jacobs School of Music in Bloomington under David Effron, he has participated in Master classes with Herbert Blomstedt, Gustav Meier, and Leonard Slatkin.